He’s the third franchise composer to score more than one Bond film. In terms of music, Thomas Newman does another solid job and contributes a very lengthy score. Now that it’s been a few years, one can assume that they’ve worked together enough to build up quite the relationship. This was missing especially in the first two films and while Q did return in Skyfall, it was as a new character for the Craig films. One nice thing to enjoy about this film is the real return of the humor between Q and Bond. The catch is that she must take him to L’Américain so that they can locate Franz Oberhauser. Her dad is dying a slow death and Bond agrees to protect her. White (Jesper Christensen), first seen in Casino Royale. And again, it ties back to the larger Spectre picture because her father happens to be Mr.
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Madeleine Swann (Léa Seydoux) is the major figure in this film. Lucia Sciarra (Monica Bellucci), the widow of assassin Marco Sciarra (Alessandro Cremona), becomes the oldest Bond woman because Bond seduced her. We see her before the titles and that’s it. In terms of Bond women, Mexican agent Estrella Luna (Stephanie Stigman) is barely even in the film. Easier said than done and judging by No Time to Die‘s cast, the story that starts here will continue for another film. As is the usual case, Blofeld has a plot that Bond must thwart. C prefers his Nine Eyes Initiative to the 00 Section.
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Oh, the joys of a power struggle between M and C (Andrew Scott), the Director-General of the new Joint Intelligence Service, which came about because of a merger between MI5 and MI6. Bond brings in both Moneypenny and Q while disobeying M’s (Ralph Fiennes) orders. The film sees Bond on a mission that doesn’t so much have anything to do with MI6 in as much as it has to do with the late M (Judi Dench). With the Spectre rights back in house, it was only matter of time before we saw the organization on screen again. All roads were leading to this point, which allows Sam Mendes to push the limits as far as the Bond franchise goes. Again, this doesn’t happen without the rights coming back in house. It’s a retcon that Bond fans such as myself will appreciate. In this instance, it’s all a part of Franz Oberhauser/Ernst Stavro Blofeld’s master plan.
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By the end of the film, however, Spectre proves to be just one part of a larger story–one that sees LeChiffre, Greene, and Silva working for someone else. It’s one of the biggest openings by far and it gives Mexico some proper representation on screen. You know this is going to be a big film right from the Day of the Dead pre-titles sequence in Mexico City. Sam Mendes pushes the limits during his second James Bond directorial outing in Spectre to get James Bond back to the travelogue roots.